bernhardholaschke

[at] gmx.de

*Heilbronn__________________lives and works in Berlin ♜✨





UPCOMING SHOWS 2021 /// 2022

FLIGHT TO NOWHERE, Plague Space, Krasnodar (RUS) /// solo show
2nd Bangkok Bienale, Bangkok (THA)
CORPORATE STONER, Quartair, Den Haag (NL)
tba, Kunstverein Kärnten Klagenfurt am Wörthersee (AUT)
garden cult trienale chapter III, tba
tba, Inselspitze e.V., Heilbronn (DE) /// solo show



CURRENT PRESS AND RELEASES

BERNHARD HOLASCHKE - DO YOU BELIEVE IN GODS
Do You Believe in Gods presents a selection of 111 ink drawings and collages created over the past 12 months.
With essays by Jan Schillmöller, Beate Scheder, Lisa Alice Klosterkötter, and Alex Pilarski.
German / English /// 17 x 24 cm /// 164 pages, 111 color images /// Softcover /// ISBN 978-3-95476-414-3 ///
Release August 2021, DISTANZ Verlag, Berlin
>>>>>>>DO YOU BELIEVE IN GODS<<<<<<<


Branches EP by Kangding Ray
Vinyl Cover Artwork for the Branches EP by Kangding Ray,
Released in July 2021 by Figure Music, Berlin
>>>>>>>BRANCHES EP<<<<<<<



TEXT

The first act of a homo sapiens lies far in the past. Impossible to identify the exact point in time by archaeologists or anthropologist through relicts or reconstruction. However, as the acting and emotions became subject to materialistic and conceptualist forming, the latter scientist are able to describe possible paths homo sapiens took over time with regard to several dimensions of existence. Bernhard Holaschke examines with his art the relationship of the findings of the former described scientists with the avantgarde and contemporary making of these psychological / physical ideas and relicts. Evoking emotions depends on perceptional matters. As the emotional constitution of the homo sapiens did not quite change over time due to the slow process of physical evolution in the human case, the spiritual and mind creations changed immensely. The artist discloses the relationship between relicts of the path of history to their modern counterparts. These relicts represent symbols or witnesses of perceptions of their respective times.
How much trust should we base on our perception? So the symbols changed but the emotions stayed the same? The artist does not answer these questions but unveils the relationship by confrontation and composition. His work evokes emotions with a particular weight on fear, laughter, irritation and surprise.




LINKS

>>>>>>>chernobyl papers<<<<<<<
>>>>>>>exil<<<<<<<
>>>>>>>mild tales hypersoft<<<<<<<
>>>>>>>garden cult triennale, chapter II: baden-baden<<<<<<<
>>>>>>>the days are just packed<<<<<<<
>>>>>>>behind the times<<<<<<<
>>>>>>>garden cult triennale, chapter I: sopot<<<<<<<
>>>>>>>quod arcanum leticia<<<<<<<
>>>>>>>no exit<<<<<<<
>>>>>>>when i dropped the rocket in the vacuum cleaner<<<<<<<
>>>>>>>turn ice realities into fire dreams<<<<<<<
>>>>>>>peach score<<<<<<<
>>>>>>>umbrella.corp<<<<<<<
>>>>>>>black weed<<<<<<<
>>>>>>>hypercamouflage<<<<<<<
>>>>>>>ghosting II<<<<<<<
>>>>>>>hands of doom vi<<<<<<<
>>>>>>>exe<<<<<<<
>>>>>>>documents<<<<<<<